Am kinda embarrassed the topic introduction was so long, and yet the two replies got past all that garbage and into the territory am trying for.
LJN, I know it may be quoting you out of context, but: "....he was afraid or crippled by fears to be able to admit it when it could have made
a difference." I have been hoping for some movement past fear of being gay (the standard formula) to fear that wrecks any great love, fear of
not being loved back to the extreme level of the Immortal Beloved (and that is how I will always see their two loves, as The Great Love most of
us never know). It was some time before I began to see Ennis, going to sit, alone, on that hill, as a tragic turning point-he was admitting his
love the only way he knew how but rage flowed, the fight, when Jack unwittingly sent the wrong signal, making light of their leaving. You're
right, Jack was already in love, and doing the best he could--but he sent the wrong message. He provoked rage, and later, retching, by what
seemed a cavalier attitude. So we have Ennis crippled by fears, maybe justified, despite all of Jack's later trips, but, LJN, wasn't JACK crippled
by some fears of his own? On that mountain? Didn't he fear rejection, despite Ennis' brooding? Jack was hiding a lot. Am saying they were
BOTH afraid, not of gay issues, but of the unexpected depth of their love. Jack hid it, when he hid the shirt.
Jackster, that list of scenes you did, and their meaning, on another thread, was IMO a triumph for this forum. Get people challenged, and that's
when the really definitive work gets done. Am hoping to borrow some of the content and much of the sense of an outline, that particular
technique, in looking to develop the fear of love, missed opportunities, and wrong signals sent. As far as the epiphany of the shirts, had never
once considered it was a double whammy and that, as you have said, Ennis finally saw how much he himself had loved Jack. But it was just that.
And yet, on this topic, Fear of Love, it became safe to love, only when....it was no longer a viable threat to losing one's own self.
Am not doing very well. Am trying to explore how things went wrong because the love was so great, it was threatening, especially with so
many mixed messages between the two. Two heavy hitters have weighed in (and you both are) and done well, and am still trying to get
the topic better defined. Anywhere anyone goes with this is fine, but somehow I need, myself, to get past a generality--that they feared the
greatness of their love more than any mere social repression issues--to the specific scenes and words that fostered doubt or failed to
reassure and thereby kept the fear of love---ongoing, until too late.
Both replies got past my lack of clarity and am grateful for that. Tony.