Author Topic: News Coverage:August 2006  (Read 28226 times)

Offline tpe

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Re: News Coverage:August 2006
« Reply #30 on: Aug 19, 2006, 04:56 PM »
"Crash" appealed to the head ...LOL

J.x


A head with the brain scooped out.


Offline Jennis

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Re: News Coverage:August 2006
« Reply #31 on: Aug 19, 2006, 05:25 PM »
"Crash" appealed to the head ...LOL

J.x


A head with the brain scooped out.


LOL... :8...x

greenfrog

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Re: News Coverage:August 2006
« Reply #32 on: Aug 20, 2006, 10:18 PM »
"Crash" appealed to the head ...LOL

J.x


A head with the brain scooped out.


 :8  ;D  :8  ;D  :8  ;D

Offline malawix

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Re: News Coverage:August 2006
« Reply #33 on: Aug 21, 2006, 05:00 AM »
(Previously posted in CELLULOID)

NEWS
---------------------------------------------------------


Source: www.worldsoundtrackawards.com
17/08/2006




AND THE NOMINEES FOR THE WORLD SOUNDTRACK AWARDS ARE...

The World Soundtrack Academy releases the list of nominees for the three principal categories in the World Soundtrack Awards, the most pre-eminent international prizes for the recognition of film music: Soundtrack Composer of the Year, Best Original Soundtrack of the Year - Orchestral and Best Original Song Written Directly for a Film. The names of the winners will be announced in Ghent on Saturday, October 14.

Every year in Ghent, the World Soundtrack Awards (WSA) are presented by the World Soundtrack Academy. The Academy, which was founded in 2001 by the Flanders International Film Festival - Ghent and a number of film music composers, now encompasses over 250 leading composers. The stated goal of the Academy is to promote music in film, and it is achieving this with ever greater success, as can be seen by the growing (international) interest and recognition being given to film music.

The three principal categories are Soundtrack Composer of the Year, Best Original Soundtrack of the Year - Orchestral and Best Original Song Written Directly for a Film. In addition to this, at a later time, the Academy Board will also select the Discovery of the Year 2006. In addition to the Awards presented by the Academy, the public around the world can vote at http://www.worldsoundtrackawards.be/awards.cgi for their choice of the best soundtrack for 2006.

The nominees for the category Soundtrack Composer of the Year are:

~ Danny Elfman – Charlie and the Chocolate Factory
~ Alberto Iglesias – The Constant Gardener
~ Dario Marianelli – Pride & Prejudice
~ James Newton Howard – King Kong
~ John Powell – Ice Age: The Meltdown

The candidates for the category Best Original Soundtrack of the Year are:

~ Brokeback Mountain - Gustavo Santaolalla
~ King Kong - James Newton Howard
~ Munich - John Williams
~ Pride & Prejudice - Dario Marianelli
~ The Constant Gardener - Alberto Iglesias

And the nominees for Best Original Song Written for Film:

~ “A Love That Will Never Grow Old” (Brokeback Mountain) - music by Gustavo Santaolalla - lyrics by Bernie Taupin - performed by Emmylou Harris
~ “Can’t Take It In” (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe) - music by Harry Gregson-Williams & Imogen Heap - lyrics by Imogen Heap - performed by Imogen Heap
~ “Magic Works” (Harry Potter and the Goblet of Fire) - music and lyrics by Jarvis Cocker - performed by Jarvis Cocker, Jonny Greenwood, Philip Selway, Steve Mackey, Steve Claydon and Jason Buckle – string arrangement by Patrick Doyle
~ “Mdlwembe” (Tsotsi) - music by Kabelo 'Kaybee' Ikaneng - lyrics by Zola - performed by Zola
~ “Our Town” (Cars) - music and lyrics by Randy Newman - performed by James Taylor

The sixth edition of the World Soundtrack Awards, which will be held on October 14, 2006, is once again promising to be the pre-eminent event for film music lovers. The international elite of film music composers will be in Ghent that evening to attend the presentation of the World Soundtrack Awards and the concert thereafter. Among other works, the music of Michael Giacchino, Peer Raben, John Powell and Piet Goddaer will be the main features of the evening.
«Though you are far away | I am with you in every way | Close your eyes and you will see...»

Offline tpe

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Re: News Coverage:August 2006
« Reply #34 on: Aug 21, 2006, 07:57 AM »
Thanks malawix.  The more awards, the better.  :)


Offline Koka

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Re: News Coverage:August 2006
« Reply #35 on: Aug 22, 2006, 05:27 PM »
that's great news malawix! thanks for sharing!
Why should I be out of mind
because I am out of sight?
I am waiting for you,
for an interval,
somewhere very near,
just around the corner.
All is well.

Offline Jennis

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Re: News Coverage:August 2006
« Reply #36 on: Aug 29, 2006, 11:36 AM »
Bit more about the Scary Movie 4, BBM parody.


 By Simon Mounsey
Aug 28 2006 12:00PM


A ghetto parody of Brokeback Mountain, a father relentlessly beating the heck out of his daughter and a reenactment of Tom Cruise's mind boggling appearance on Oprah. What do all of these have in common? They're some of many missed and downright unfunny jokes in Scary Movie 4, the latest version of the horror spoof series.
   
Much like the other three films, the latest version starts with an opening sequence aimed at getting the audience's laughing from the starting line, this time with the likes of Shaq and Dr. Phil trapped in a sequence reminiscent of Saw - both of them trying to outwit the evil puppet who is trying to kill them viciously. To add humor or at least try to, the only way for them to survive this madman is for Shaq to make some free throws.

Then, the real "story" begins as Cindy Campbell (Anna Faris) moves into a house to take care of a catatonic woman. When moving into the house, she eventually finds a little demonic boy who is haunting the home, and so she is on a mission, along with her pal Brenda (Regina Hall) to go to "the village" to find out who the father of this child is.

During this time, Cindy runs into the "man of her dreams" in Tom Ryan (Craig Bierko), a clueless guy who essentially plays the Tom Cruise role from War of the Worlds and so, he and his son and daughter flee to escape the tr-ipods.
   
The plot barely exists in this film. Yeah, they sort of have two plots between the two main leads, but it's not like it's vital to the film at any point, because the film at many points along the way will go into a completely different direction that has nothing to do with anything that is going on. One such example of this is the scene in the bar where Tom runs into Mahalik (Anthony Anderson) and Chingy; during this scene, there is a mockery of Brokeback Mountain completely out of nowhere.
   
Plot aside, the fact is that this film is just plain not funny. Fact is, in these films, plot has never been a real issue because the humor cancels it out but not in this case. To be honest, I only laughed one time while seeing this film during a scene between Tom and Mahalik, where one was trying to unlock the door when the other was trying to open it, cancelling it out and each other screaming at each other. Now, that was a hilarious scene but nothing else did I even become close to laughing.
   
It is quite evident to me that these Scary Movie writers really are having troubles coming up with new ideas because they pretty much miss on every single antic they try to create. The opening scene is an example of this as everyone knows Shaq can't hit free throws. This is essentially the same type of joke they do throughout the entire movie, ones the audience already knows and/or has already seen.
   
As far as the rest of the disc is concerned, it does have its fair share of content, from bloopers to interviews and a commentary track. These would be good features but for such a bad movie, it's really not worth your time.
   
If there is anything that Hollywood should learn from Scary Movie 4, it's that films of this genre need to sit on the back burner for a while. Putting these types of films out year after year is a dangerous thing because eventually, as is shown in this film, monotony was bound to happen. Do not waste a dime on this piece of garbage.

http://www.associatedcontent.com/article/54177/scary_movie_4_scarily_unfunny.html


greenfrog

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Re: News Coverage:August 2006
« Reply #37 on: Aug 29, 2006, 09:26 PM »
Thank you Jennis  ^f^

Offline Jennis

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Re: News Coverage:August 2006
« Reply #38 on: Aug 31, 2006, 11:14 AM »
Mmm,if they say so.I know which one i would rather have in first place ;)

Jennis.x



31/08/2006 07:55 

FROM HERE TO ETERNITY KISS 'MOST MEMORABLE' 
 
BURT LANCASTER's embrace with DEBORAH KERR on the beach in FROM HERE TO ETERNITY has topped a poll of the most memorable screen kisses.The 1953 smooch beat out competition from TOBEY MAGUIRE and KIRSTEN DUNST's kiss in SPIDER-MAN, which was voted into second place by 3,000 movie fans surveyed by cosmetic dentists Glee in London.

The Top 5 Most Memorable Screen Kisses are: 1. BURT LANCASTER and DEBORAH KERR - FROM HERE TO ETERNITY (1953) 2. TOBEY MAGUIRE and KIRSTEN DUNST - SPIDER-MAN (2002) 3. GEORGE PEPPARD and AUDREY HEPBURN - BREAKFAST AT TIFFANY'S (1961) 4. PATRICK SWAYZE and DEMI MOORE - GHOST (1990) 5. HEATH LEDGER and JAKE GYLLENHAAL - BROKEBACK MOUNTAIN (2005).


 

Offline Jennis

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Re: News Coverage:August 2006
« Reply #39 on: Aug 31, 2006, 11:25 AM »
More memorable kissing stories.This is from February,but i love what he said about Jack&Ennis.

Jennis.x


Is A Kiss Just A Kiss?

By Erik Lundegaard
MSNBC contributor
Feb. 14, 2006

Name a great kissing scene in the movies.

I’ve asked that of a lot of people over the last month and while some come up with an answer, most simply furrow their brows, put their hands on their hips, look at the ceiling and say, “Isn’t that funny.” And not just the guys either.

Kissing is one of cinema’s most common actions (right up there with punching), and yet what stands out? Something from “Casablanca” surely, and “Gone with the Wind.” “Titanic”? Did Leo kiss Kate on the prow of the boat or was that just in the poster? More memorable for me are the two of them steaming up the car windows, and Leo drawing a topless Kate. It’s like what my friend Seth admitted when I asked him for kissing scenes: “I only remember the boob shots,” he said. He was only half-joking.

Here’s part of the problem with movie kisses: they rarely further plots and often end them. It’s the action we’ve been waiting for, and yet for the plot to kick in again the kissing has to stop. It’s like dance sequences in this way.

Ask for a favorite dance number, though, and you’ll get besieged. There’s an infinite variety to them — limited only by the dancers’ abilities and the choreographers’ imaginations — but Hollywood long ago perfected how a kiss should look and it’s been stuck in the rut of its perfection ever since: Woman’s arms around man’s neck, man’s arms around woman’s waist, man 4-8 inches taller than woman. It’s even called “the Hollywood kiss,” and it’s almost always the same. I once asked a friend in a rock band how they can play the same songs night after night and keep it interesting, and he responded, “We f--k up.” That’s what Hollywood needs to do with their kisses. They need to give us imperfection. They need to f--k up.

But with the help of some friends I did manage to cobble together a few memorable kisses. Here they are, just in time for Valentine’s Day, in easy-to-read categories. I apologize in advance if your favorite isn’t listed.

The desperate kiss

Two people need each other, hunger for each other, want to merge into one another. Often something is keeping them apart; often their affair is illicit. In “Casablanca,” Rick and Ilsa (Bogart and Bergman) have to worry about poor cuckolded Victor Laszlo, a great war hero, for whom they will have to give up their love. But in the meantime: Pucker up. For Sgt. Milton Warden and Karen Holmes (Lancaster and Kerr) in “From Here to Eternity,” it’s cuckolded Capt. Dana “Dynamite” Holmes (who apparently isn’t so dynamite), who is the sergeant’s superior (at least in the military). But in the meantime: Let’s roll around the beach as waves crash upon us. It’s the Hollywood kiss with the addition of “wet” and “prone.” Never underestimate the power of “wet” and “prone.”

In both of these scenes the men are pretty cool customers while the women melt, but men in the movies can get desperate as well. The best recent example is in “Brokeback Mountain,” when Jack and Ennis meet again after four years apart, and discover, during their initial hug, four years of unspent passion. Why is this kiss memorable? Because it’s unexpected, and rough, and they risk so much for it (life itself, you could say). There is anger as well as love in it. Hollywood often sweeps this untidy fact under the carpet but anger should be part of a desperate kiss. Think of it. I’m me. I’m happy being me. But then you come along and make me need you. You’ve got your nerve.


Full Article Here:
http://www.msnbc.msn.com/id/11257793/

Offline Jennis

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Offline tpe

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Re: News Coverage:August 2006
« Reply #41 on: Aug 31, 2006, 01:34 PM »
Mmm,if they say so.I know which one i would rather have in first place ;)

Jennis.x

I agree.  ;)


greenfrog

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Offline ksxks

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Re: News Coverage:August 2006
« Reply #43 on: Sep 07, 2006, 08:23 PM »
I don't see a News Coverage September thread.  Or should this be under Annie Proulx topic?

This is about Annie Proulx's home in Wyoming being up for sale. 

kathy

http://www.newwest.net/index.php/city/article/11179/C94/L94
They were respectful of each other's opinions, each glad to have a companion where none had been expected.

Offline tpe

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Re: News Coverage:August 2006
« Reply #44 on: Sep 08, 2006, 07:08 AM »
Apologies, kathy.  I shall create one... I should note, nonetheless, that this piece of news has been posted elsewhere:

http://www.ennisjack.com/index.php?PHPSESSID=7666993147da3f560155c1d596856811&topic=6308.msg251257#msg251257


Offline ksxks

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Re: News Coverage:August 2006
« Reply #45 on: Sep 08, 2006, 06:17 PM »
Apologies, kathy.  I shall create one... I should note, nonetheless, that this piece of news has been posted elsewhere:

http://www.ennisjack.com/index.php?PHPSESSID=7666993147da3f560155c1d596856811&topic=6308.msg251257#msg251257


Thank you, Tom -- doesn't surprise me it was already posted.  I think a whole lot of other people here are on top of things a whole lot faster than I am!

kathy
They were respectful of each other's opinions, each glad to have a companion where none had been expected.