Movie is last evidence of Ledger's powerful screen presence28th May 2009, 7:30 WST
Heath Ledger's last movie almost ended on the scrap heap. When the actor died last year of an accidental prescription-drug overdose, director Terry Gilliam was prepared to cancel the film.
Instead,
The Imaginarium of Doctor Parnassus opened last week at the Cannes Film Festival, with Ledger's performance a highlight -- irrespective of circumstance -- and his part completed by Johnny Depp, Jude Law, and Colin Farrell.
While the movie isn't one of Ledger's best, it will entertain younger viewers (and Ledger fans). Much of the plot plays out in a dazzling Alice-in-Wonderland environment.
We first see Ledger hanging from London's Blackfriars Bridge, breathing but covered in blood. His character Tony joins a wobbly wagon of entertainers led by the ageing Dr Parnassus.
Tony -- based on former UK Prime Minister Tony Blair, of whom Gilliam spoke cynically at the film's news conference -- was heading a charity foundation until his near-murder. He seems skilled at coaxing women into giving away money.
Dressed in a white suit and a bird mask with a long beak, he lures women aboard the Imaginarium, where they slip through a magic mirror into a dream world of giant shoes, floating petals, and everlasting youth. They come out in a daze, abandoning checkbooks, jewellery and designer handbags to the beguiling Tony.
Each time Ledger slips through the mirror, he morphs into Depp, Law, or Farrell. Thats how Gilliam makes up for his loss. We are required to suspend disbelief, to see Ledger and the other three as one -- which is something of a stretch.
The core plot pivots around Dr Parnassus (Christopher Plummer), who has become immortal after winning a bet with the devil, Mr Nick (Tom Waits in a bowler hat).
Dr Parnassus has to hand the devil his daughter Valentina when she turns 16, in exchange for the spell of youth that he negotiated to experience love.
The acting in The Imaginarium is solid: Ledger, Plummer and Waits pull their weight and model-actor Lily Cole, with her China-doll looks, is a charismatic Valentina.
Yet the weird dealmaking with the devil and trite dialogue evoke a pre-teen movie in the Harry Potter vein.
Ultimately, what The Imaginarium does best is provide one last piece of evidence of Ledger's powerful screen presence.
CANNES
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