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Author Topic: Jake's pix  (Read 8128398 times)

Offline tpe

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Re: Jake's pix
« Reply #6840 on: Sep 18, 2006, 11:43 AM »
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Offline tpe

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Re: Jake's pix
« Reply #6841 on: Sep 18, 2006, 11:58 AM »
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Offline tpe

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Re: Jake's pix
« Reply #6842 on: Sep 18, 2006, 11:59 AM »
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Offline tpe

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Re: Jake's pix
« Reply #6843 on: Sep 18, 2006, 12:01 PM »
Quote from: Twisted on Sep 18, 2006, 02:56 AM


Snow melting on his hair.

Love the rings.  :)


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Offline tpe

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Re: Jake's pix
« Reply #6844 on: Sep 18, 2006, 12:05 PM »
Quote from: Twisted on Sep 18, 2006, 02:57 AM


There are pix that are dominated by his great blue eyes.  This is indeed one of them. 
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Offline tpe

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Re: Jake's pix
« Reply #6845 on: Sep 18, 2006, 12:09 PM »
Quote from: Twisted on Sep 18, 2006, 02:57 AM


One can indeed drown in those eyes...  The eyes mark him as the Prince of Dreams...

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Offline tpe

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Re: Jake's pix
« Reply #6846 on: Sep 18, 2006, 12:15 PM »
Quote from: Twisted on Sep 18, 2006, 02:58 AM


So much to admire.  Beauty that moves...

Each pic captures a brief moment in time.  Beauty may be transient, but the Ideal is unchanging.

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Offline Rosie

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Re: Jake's pix
« Reply #6847 on: Sep 18, 2006, 12:18 PM »
Quote from: tpe on Sep 18, 2006, 11:37 AM
Quote from: greenfrog on Sep 18, 2006, 02:26 AM
I love it when he laughs.



I love it when he breathes...



 :clap: ;D ....don't we all.. <^(

Beautiful laugh....of course!
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Danny and me, Danny and me,  Danny and me and the sea,
Bobbing out of Pleasure Bay, the islands on our lee;
Spectacle, Georges, Gallops, the sun-wash on the brine
Castle Island where Skovo danced a bear-dance in bear-time.
The Golden Boy has chosen, I know what I will be
Danny and me, seanchai, Danny and me and the sea.

A Map of the Harbor Islands JG Hayes

Offline tpe

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Re: Jake's pix
« Reply #6848 on: Sep 18, 2006, 12:25 PM »
Quote from: Twisted on Sep 18, 2006, 02:59 AM


Colour can also move as well as highten the senses. The blues and violets (?)  highten the soft pallor of his face.

The eyes are turned.  The intensity of those eyes are thus veiled ever so slightly...

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Offline Rosie

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Re: Jake's pix
« Reply #6849 on: Sep 18, 2006, 12:27 PM »
Quote from: tpe on Sep 18, 2006, 12:25 PM



Colour can also move as well as highten the senses. The blues and violets (?)  highten the soft pallor of his face.

The eyes are turned.  The intensity of those eyes are thus veiled ever so slightly...



The colour of his cheeks almost matches the shirt. And his lips.
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Danny and me, Danny and me,  Danny and me and the sea,
Bobbing out of Pleasure Bay, the islands on our lee;
Spectacle, Georges, Gallops, the sun-wash on the brine
Castle Island where Skovo danced a bear-dance in bear-time.
The Golden Boy has chosen, I know what I will be
Danny and me, seanchai, Danny and me and the sea.

A Map of the Harbor Islands JG Hayes

Offline tpe

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Re: Jake's pix
« Reply #6850 on: Sep 18, 2006, 01:08 PM »
Quote from: Rosie on Sep 18, 2006, 12:27 PM
Quote from: tpe on Sep 18, 2006, 12:25 PM



Colour can also move as well as highten the senses. The blues and violets (?)  highten the soft pallor of his face.

The eyes are turned.  The intensity of those eyes are thus veiled ever so slightly...



The colour of his cheeks almost matches the shirt. And his lips.


Wonderful point, Rosie.  :)


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Offline tpe

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Re: Jake's pix
« Reply #6851 on: Sep 18, 2006, 01:12 PM »





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Offline Twisted

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Re: Jake's pix
« Reply #6852 on: Sep 18, 2006, 01:24 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6853 on: Sep 18, 2006, 01:28 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6854 on: Sep 18, 2006, 01:29 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6855 on: Sep 18, 2006, 01:30 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6856 on: Sep 18, 2006, 01:32 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6857 on: Sep 18, 2006, 01:34 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6858 on: Sep 18, 2006, 01:35 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline tpe

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Re: Jake's pix
« Reply #6859 on: Sep 18, 2006, 02:03 PM »
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Offline tpe

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Re: Jake's pix
« Reply #6860 on: Sep 18, 2006, 02:09 PM »




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Offline tpe

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Re: Jake's pix
« Reply #6861 on: Sep 18, 2006, 02:11 PM »
Quote from: Twisted on Sep 18, 2006, 01:30 PM


I don't mind him NOT having his hair...

His face is beautifully defined anyway...
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Offline Twisted

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Re: Jake's pix
« Reply #6862 on: Sep 18, 2006, 02:11 PM »
Quote from: tpe on Sep 18, 2006, 02:09 PM






The green haunts me.. So are his eyes...
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline tpe

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Re: Jake's pix
« Reply #6863 on: Sep 18, 2006, 02:24 PM »

Didn't know he went to Michigan State.  ;)



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Offline tpe

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Re: Jake's pix
« Reply #6864 on: Sep 18, 2006, 02:25 PM »





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Offline Twisted

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Re: Jake's pix
« Reply #6865 on: Sep 18, 2006, 02:34 PM »
Nice to see that he was on Kerry's side :)

Which one is better?

« Last Edit: Sep 18, 2006, 02:45 PM by Twisted »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6866 on: Sep 18, 2006, 02:46 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline Twisted

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Re: Jake's pix
« Reply #6867 on: Sep 18, 2006, 02:47 PM »
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The most difficult scene was the paragraph where, on the mountain, Ennis holds Jack and rocks back and forth, humming, the moment mixed with childhood loss and his refusal to admit he was holding a man.

- Annie Proulx -



From the vibration of the floorboard on which they both stood, Ennis could feel how hard Jack was shaking.

Offline tpe

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Re: Jake's pix
« Reply #6868 on: Sep 18, 2006, 02:54 PM »
Quote from: Twisted on Sep 18, 2006, 02:34 PM


Which one is better?


Hard to say.  The flesh tones add to the warmth, no?  But the B&W is much more crisp.  :)




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Offline tpe

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Re: Jake's pix
« Reply #6869 on: Sep 18, 2006, 02:59 PM »
Quote from: Twisted on Sep 18, 2006, 02:46 PM


Light blue on crimson -- certainly his beauty is highlighted by the ambient colors.  I think this is an example of a pic whose strong and wonderful color scheme makes it superior to a balck and white version.  Do you agree?

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